6/30/11

LEELA MAJUMDER

Born on 26 February 1908, Lila Majumdar grew up in Shillong and Kolkata and went on to do a Master’s in English from Calcutta University. She has won many awards for her works, including the Sangeet Natak Akademi Award in 1963 for a comic musical drama called Bok Badh Pala (Death of the Demon Bok). Her autobiography Aar Kono Khaney (Somewhere Else) won the Rabindra Puroshkar in1968, and Haldey Pakhir Palok (The Yellow Bird) received the Bengal state award for children’s literature in 1960. She celebrated her ninety-ninth birthday in 2007 and died the same year on 5 April.
To know more about her writings click on link:

LEELA MAJUMDER RACHANA SAMAGRA-01

IN THIS BOOK LEELA MAJUMDER WROTE SEVERAL

STORIES THAT INCLUDE:

LAKKHI CHELE IN Page-25, BADDINATHER BARI IN Page-

29, BHOTER CHELE IN Page-32, GHONSAR CHITI IN Page-35

ACHAR IN Page-37, DINE DUPUREY IN Page-40, KABLA

KANTA IN Page-43, APOD IN Page-45, CHOR DHORA IN

Page-49, NOTOBORER KARSAGI IN Page-52, GUPEY IN

Page-55,DINE DUPURN PEY IN Page-59, GHOTON KOTHAI

IN Page-61,SORBONESHE MADULI IN Page-67, TAKA

CHURIR KHELA IN Page-72, HUSHARI IN Page-77

MOHALYAR UPOHAR IN Page-81,PADIPISHIR BARMI BAXO IN Page-85, KHAGAI NAMO

IN Page-117, SEKALE IN Page-121, TIGER IN Page-124, CHOR IN Page-129, LOM HORSHK

IN Page-131, GUPER BAHADURI IN Page-133,PALOHAN IN Page -136, AMADER DESHE

IN Page-139, NOTE MAMA IN Page-141,HARANO GINISH IN Page-145,GUPTA DHON IN

Page-147, DAMUKAKAR BIPATTI IN Page-149,VALOBASHA IN Page-152,PASHER BARI

IN Page-155, BHANUMATIR KHEL IN Page-158,HARI NARAYAN IN Page-161,HALDEY

PAKHIR PALOK IN Page-165,GUPIR GUPTO KHATA IN Page-207,BAGHER CHOK IN Page-

255,PENETI TE IN Page-257,AHIRITOLAR BARI IN Page-261,VHUTUREY GOLPO IN Page-

264,SATTI NOI IN Page-268,BOHURUPI IN Page-271, MEGO MAMAR PRATISODH IN Page-

274, KI BUDHHI IN Page-277, JUGANTOR IN Page-279,PANCH MUKHI SANKH IN Page-282

GUN KORA IN Page-286, DINER SESHEY IN Page-290,BONER DHARE IN Page-294.

BAGER CHOKH IN Page-298,BOKH DHARMIK IN Page-303,SEGO MAMAR CHANDRA

JATRA IN Page-349,PEARA GACHER NICHEY IN Page-356,SEI KHANEY IN Page-358.

AMI IN Page-361, BANDUK O CHORA IN Page-363,TONG-LING IN Page-367,GUNU PANDI

TER GUN PANA IN Page-417,PAKHI IN Page-424,MAJICK IN Page-430,DIAREY IN Page-433

ICHHEY GAI IN Page-436,PORIDER DESHEY IN Page-441,HANA BARI IN Page-444,SAGOR

PAREY-448,BAROLOK HOBAR NIAOM IN Page-451,JADUKAR IN Page-454,ANKO IN Page-

458,NOKOSHI IN Page-464,CHI HUA IN Page-471,ATITHI IN Page-474,NEPOR BOI IN Page-

479,MAKU IN Page-527, BOK BADH PALA IN Page-577, LANKA DAHAN PALA IN Page-599

BALI SUGRIB KATHAN IN Page-623,WAITING ROOM IN Page-635

LEELA MAJUMDER RACHANA SAMAGRA-02

IN THIS SECOND EDITION OF LEELA MAJUMDER

RACHANA SAMAGRA YOU WILL GET:

GUPIR GUPTA KHATA IN Page-9,LANKA DAHAN PALA

IN Page-87, UPENDRAKISHORE IN Page-123, BHOOTER

GOLPO IN Page-187, NANA NIBANDHA IN Page-289

BOK DHARMIK IN Page-365

LEELA MAJUMDER RACHANA SAMAGARA-03

IN THIS BOOK YOU WILL GET TONG LING IN Page-9, SUKUMAR

ROY IN Page-79,NEPOR BOI IN Page-203,SEGO MAMAR

CHANDA JATRA IN Page-279

TAKHURMAYER TIKUJI

TAKUMAR TIKUJI IS A COMPARATIVE STUDY OF LIFE BETWEEN FAMOUS WRITER LEELA MAJUDER AND

HER DIDI SHASURI JOYENTI OR MADDHURIMA OR RIMA BY NAME, WRITER LEELA MAJUDER SUDDENLY

DISCOVER A NOTE BOOK WRITEN BY HER DIDI SHASHURI AND A DIAMOND RING OF HER. THE NOTE

BOOK CONTAIN 365 PAGE OF HER DAYA TO DAY LIFE EXPERIENCE THAT COMPARE WIITH THE WRITER

LEELA MAJUDER OWN LIFE. WRITER ALSO DESCRIBE HER LIFE WHEN SHE WAS IN WOOD STREET

HOUSE.

BATASBARI

GUPIR GUPTA KHATA

RESHALARBABU

LEELA OMIBUS

MOYNA SHALIK

KHEROR KHATA

SUKUMAR

GULLIVER TRAVEL

PODIPISHIR BORMI BAXO

NAKU GAMA

HALDEY PAKHIR PALOK

TOJO

NIRAD C. CHAUDHURI

Nirad C. Chaudhuri or Nirod Chondro Choudhuri was born in (23 November 1897 in Kishoreganj, which today is part of Bangladesh but at that time was part of Bengal, a region of British India. He was educated in Ripon College, Scottish Church College and University of Calcutta. He started his career as a clerk in the Accounting Department of the Indian Army. Bangali Jibane Ramani ,Atmaghati Bangali, Atmaghati Rabindranath are his well known Bangla writing. The Autobiography of an Unknown Indian, A Passage to England , The Continent of Circe, The Intellectual in India,To Live or Not to Live etc are his well known English writing. Nirad C. Chaudhuri was awarded the Sahitya Akademi Award, in 1975 for his biography on Max Müller called Scholar Extraordinary, by the Sahitya Akademi, India’s national academy of letters.[1] In 1992, he was honoured by Queen Elizabeth II of the United Kingdom with the title of Commander of Order of the British Empire (CBE). His 1965 work The Continent of Circe earned him the Duff Cooper Memorial Award, becoming the first and only Indian to be selected for the prize. Nirad C. Chaudhuri died in 1 August 1999 in oxford, England.

Download Bangla Books by Nirad C. Chaudhuri click on link:

ATTOGHATI BANGALI

OR

ATTOGHATI BANGALI

Reviewer: Dr. Radha Nag - - August 19, 2017
Subject: [Reviewed by "The Statesman", a News Daily of Calcutta]

'Radha Nag's recently-published Atmaghati Nirad Chandra is a welcome answer to Nirad C. Chaudhuri's Atmaghati Bangali and two-volume Atmaghati Rabindranath. In more than a decade since the publication of the first volume of this trilogy on the dire self-destruction of the Bengali people and their greatest poet, no Bengali has raised his voice against this charge - perhaps because it was framed by a Bengali who penned them in a respectable university town in England, clad in a Bengali dhoti, sitting on a Bengali mat.
Nag's beautifully-produced 80-page volume bears ample proof of its author's commendable economy of expression. She has used NCC's Bengali works to show that obscenities abound in them. The writer who held an honorary D.Litt. from Oxford, it seems, could not make his points without outraging the proverbial British sense of decency.
Chaudhuri the author, shows Nag, had been so trapped by Chaudhuri the man that he often makes unseemly self-revelations. And it may not be improbable that he was deliberately ribald to cater to popular tastes.
Nag's book is written in a delightfully ironic style and if she's sometimes hard on Chaudhuri, she has been so for the sake of truth.
-The Statesman: Calcutta Note-Book 09.04.2001

BANGALI JIBONE ROMONI

OR

BANGALI JIBONE ROMONI

প্রথমত, বইটার নামকরণে গোলমাল আছে। এই বইটি বঙ্গজীবনে নারীর অবস্থান, ভূমিকা, গুরুত্ব, তার অতীত, পরিবর্তনশীল বর্তমান, অনিশ্চিত ভবিষ্যৎ, এসব নিয়ে আদৌ লেখা নয়। এটি স্বল্পমাত্রায় বাংলা এবং বেশি করে ধ্রুপদী সাহিত্যে নারীর ডেপিকশন বা পোর্ট্রেয়াল নিয়ে লেখা।
দ্বিতীয়ত, ওই বিষয়ে ব্যাপ্তি ও গভীরতায় এমন একটি বই লিখতে যে পাণ্ডিত্য ও নির্মোহ মানসিকতা প্রয়োজন, তা লেখকের ছিল। তাই তাঁর সময়ে দাঁড়িয়েও তিনি এমন একটি লেখা পেশ করেছেন যা এখনও দেদীপ্যমান তথা জ্বলন্ত।
তৃতীয়ত, কোনো প্রাবন্ধিক ও গবেষক স্বাধীনতার পর ভারত, পূর্ব পাকিস্তান, এবং বাংলাদেশের সাহিত্যে ('জীবনে' নয়। সেটা একান্তভাবেই সমাজতাত্ত্বিক, নৃতাত্ত্বিক, এবং নারীবাদীর এক্তিয়ারে চলে যাবে) নারীর বদলাতে থাকা অবস্থা তথা অবস্থান নিয়ে এমন করেই কিছু লিখবেন, সেই আশায় আছি। তবে কাজটা অসম্ভব কঠিন, কারণ আলোচ্য বইয়ের লেখকের মতো পার্সপেক্টিভ ও জ্ঞান অর্জন করা 'মুশকিল হি নহি, নামুমকিন হ্যায়' বলে মনে হয়েছে।
আমি লেখাটা নীরদচন্দ্র চৌধুরী শতবার্ষিকী সংকলন-এর অংশ হিসেবে পড়লাম। আপনারা যদি বইটি আলাদাভাবে পান, তাহলেও অতি অবশ্যই পড়ুন। এই লেভেলের পাণ্ডিত্য আমরা এখন ভাবতেই পারি না!

ATTOGHATI ROBINDRANATH

OR

ATTOGHATI ROBINDRANATH

Radha Nag's recently-published Atmaghati Nirad Chandra is a welcome answer to Nirad C. Chaudhuri's Atmaghati Bangali and two-volume Atmaghati Rabindranath. In more than a decade since the publication of the first volume of this trilogy on the dire self-destruction of the Bengali people and their greatest poet, no Bengali has raised his voice against this charge - perhaps because it was framed by a Bengali who penned them in a respectable university town in England, clad in a Bengali dhoti, sitting on a Bengali mat. Nag's beautifully-produced 80-page volume bears ample proof of its author's commendable economy of expression. She has used NCC's Bengali works to show that obscenities abound in them. The writer who held an honorary D.Litt. from Oxford, it seems, could not make his points without outraging the proverbial British sense of decency. Chaudhuri the author, shows Nag, had been so trapped by Chaudhuri the man that he often makes unseemly self-revelations. And it may not be improbable that he was deliberately ribald to cater to popular tastes. Nag's book is written in a delightfully ironic style and if she's sometimes hard on Chaudhuri, she has been so for the sake of truth.

6/27/11

RABINDRA NATH TAGORE

Rabindranath Tagore (1861-1941) was the youngest son of Debendranath Tagore, a leader of the Brahmo Samaj, which was a new religious sect in nineteenth-century Bengal and which attempted a revival of the ultimate monistic basis of Hinduism as laid down in the Upanishads. He was educated at home; and although at seventeen he was sent to England for formal schooling, he did not finish his studies there. In his mature years, in addition to his many-sided literary activities, he managed the family estates, a project which brought him into close touch with common humanity and increased his interest in social reforms. He also started an experimental school at Shantiniketan where he tried his Upanishadic ideals of education. From time to time he participated in the Indian nationalist movement, though in his own non-sentimental and visionary way; and Gandhi, the political father of modern India, was his devoted friend. Tagore was knighted by the ruling British Government in 1915, but within a few years he resigned the honour as a protest against British policies in India.

Tagore had early success as a writer in his native Bengal. With his translations of some of his poems he became rapidly known in the West. In fact his fame attained a luminous height, taking him across continents on lecture tours and tours of friendship. For the world he became the voice of India's spiritual heritage; and for India, especially for Bengal, he became a great living institution.
Although Tagore wrote successfully in all literary genres, he was first of all a poet. Among his fifty and odd volumes of poetry are Manasi (1890) [The Ideal One], Sonar Tari (1894) [The Golden Boat], Gitanjali (1910) [Song Offerings], Gitimalya (1914) [Wreath of Songs], and Balaka (1916) [The Flight of Cranes]. The English renderings of his poetry, which include The Gardener (1913), Fruit-Gathering (1916), and The Fugitive (1921), do not generally correspond to particular volumes in the original Bengali; and in spite of its title, Gitanjali: Song Offerings (1912), the most acclaimed of them, contains poems from other works besides its namesake. Tagore's major plays are Raja (1910) [The King of the Dark Chamber], Dakghar (1912) [The Post Office], Achalayatan (1912) [The Immovable], Muktadhara (1922) [The Waterfall], and Raktakaravi (1926) [Red Oleanders]. He is the author of several volumes of short stories and a number of novels, among them Gora (1910), Ghare-Baire (1916) [The Home and the World], and Yogayog (1929) [Crosscurrents]. Besides these, he wrote musical dramas, dance dramas, essays of all types, travel diaries, and two autobiographies, one in his middle years and the other shortly before his death in 1941. Tagore also left numerous drawings and paintings, and songs for which he wrote the music himself.

From Nobel Lectures, Literature 1901-1967, Editor Horst Frenz, Elsevier Publishing Company, Amsterdam, 1969

This autobiography/biography was written at the time of the award and first published in the book series Les Prix Nobel. It was later edited and republished in Nobel Lectures. To cite this document, always state the source as shown above.

Rabindranath Tagore died on August 7, 1941.

To know more about his works click on the link: Here you can get Verses that include:This Evil Day,The Son
of Man,The New Year,Santiniketan Song, Boro-Budur, Raidas(The Sweeper), Krishnakali, Fulfilment, Freedom etc.
Songs Include:Puja,Swadesh, Prem o Prokriti, Puja o Prthona, Vanusinger Podaboli(Songs), Kal Mrigoya(Songs), Prem, Bichitra, Anustanik Songeet, Porishisto-3 o RabiChaya, Chitrangada(Song), Balmiki Prathiva(Song), Prokriti, Anustanik, National Songs, Porisisto 4,Chandalika(song), Mayar Khela(Song) etc.

Novel Include:Gora, Char Odhhay, Nouka Dubi, Malancha, Seseher Kobita, Chokher Bali, Projapoti Nibondho, Goga Gog, Chaturanga, Dui Bon,Bou Takhurani Hat, Rajorshi Etc.

Stories Include: English Stories, Tin Songi, Golpo Guchhow, Lipika, Golpo Sor Etc.

Plays Include :Autumn Festval, Red Oleander, The Gardener, The Water Fall, Chitra, Sacrifice, The King and Queen, Malini, Sanyasi, The Trial, Rin sodh, Kahanini, Gorai Golod, Chro Kumar Shova, Tasher Desh, Nityao Natto Chandalika, Nalini, Poritran, Bango Koutouk, Balmiki Prothiva, Bisorjon, Vagna Hriday, Muktir Upaya, Malini, Rudra Chanda, Shyama, Sarod Utsov, Sodh Bodh, Sundor, Hasso Koutuk, Sesh Borshan, Sesh Rokhha, Shrabon Gatha, Shap Mochon, Raja, Raja o Rani, Goga Gog, Rokto Korobi, Mayar Khela, Malaoncho, Mukut, Mukto Dhara, Bisorjon, Boikunter Kotha, Basori, Biday Ovishap, Bashanta, Balmikir Prothiva, Porisodh, Falguni, Prokitir Protisodh, Pryoschitra, Nitya Natya Chitrangada, Nabin, Nataraj, Natir Puja, Dakh Ghor, Topoti, Chanda Lika, Chintrag Goda, Guru, Griaha Probesh, Kal Mrigaya, Kaler Jatra, Achala Ayaton, Arup Ratan Etc.

AMADER RABI TAKHOOR

In this section you will get (1) Verses (2) Songs (3) Novels (4)Stories(5)Plays (6) Essays and Others
(1) Verses Section: KATHA,KAHINI,KEHEYA,CHITRA,GITALI,NADI,PATRAPUT,PUNOSCHOW,BOLAKA
VANU SINGHER PATRABOLI, GITANJALI,RUPANTOR,MOHUA,AKASH PRODEEP
KHONIKA,GITIMALYA,CHOITALI,SHAMOLI,SEGUTI,MANOSHI,KHAP CHARA,
SONAR TORI ETC.

(2) In Song Section:
PUJA,PREM O PROKRITI,PUJA O PARTHONA,MAYAR KHELA,CHONDALIKA,SHYAMA
KAL MRIGOYA,CHTRANGODA, BALMIKI PROTHIVA ..ETC.

(3) In Novel Section:
GORA,CHAR ODHYA,NOUKA DUBI,MALONCHA,SESHER KOBITA,GHOREY BAIREY,
CHOKER BALI, JOGAJOG,CHOTURANGA,DUI BON,BOU THAKURANIR HAT,RAJHORSHI
...ETC.
(4) In Stories Section:

ENGLISH STORIES, TIN SONGHI, GOLPO GUCHHO,LIPIKA,GOLPO SOLPO...ETC.

(5) In Plays Section:
RIN SODH,KAHINI,GORAI GOLODH,CHIROKUMAR SHOVA,TASHER DESH,NABIN
BIDAY OVISAPH,DAKH GHOR,GURU,NATA RAJ,BISORJON,MUKUT,RAJA,BASHONTO
....ETC
(6) In Essays Section:
CHONDO,PORICHOY,KALANTAR,CHELE BELA,PONCHO VHUT,BIJJAN,RASHIAR CHITI
SHILPO, SANCHOY,SAMAJ,SHIKKHA,SHODESHEY,SAHITYA,SHAITYER PATHAY...ETC

KISHORE GOLPO SOMOGROW

In this book you will get:

(1)POST MASTER IN Page-9 (2) RAM KANAER NIRBUDHITA IN Page-14 (3)KHOKHA BABUR PROTTABORTAN IN Page-19
(4)KABULI OLA IN Page-26 (5) CHUTI IN Page-34 (6) OTITHI
IN Page-40 (7) ICHHA PURAN IN Page-45 (8)BOLAI IN Page 60
(9)SE IN Page-67 (10)GECHOW BABA IN Page-78(11) BIJJANI
IN Page-143 (12)RAJAR BARI IN Page-147 (13)BORO KHABAR
IN Page-150 (14)RAJA RANI IN Page-155 (15)MUNSHI IN Page-159 (16)MAJICIAN IN Page-162 (17)PORI IN Page-165. (18)ARO-SATTYA IN Page-166 (19)MANAGER BABU IN Page-169 (20)BACHOSHPOTI IN Page-172 (21)PANNA LAL IN Page-175 (22)CHONDONI IN Page-177 (23) DHONSHO IN Page-181. (24)VHALO MANUSH IN Page-183 (25)MUKTO KUNTALA IN Page-186 (26)PORIR PORICHAY IN Page-189(27)RAJ PUTTUR IN Page-193 (28)SUO RANIR SADH IN Page-196 (29)KARTAR VHUT IN Page -199 (30)TOTA KAHINI IN Page-202 (31) NATUN PUTUL IN Page-205

Cinema and Entertaintment

This is a cool website for current cinema and songs

IN CINEMA SECTION YOU WILL GET:
CURRENT CINEMA IN HINDI,TAMIL,PUNJABI,MALAYALAM
DIFFERENT TYPE OF TV SHOWS
DIFFERENT TYPE OF MUSIC VIDEO IN HINDI AND PUNJABI
CRICKET HIGHLIGHT
DIFFRENT TYPE OF RADIO PROGRAM

To get website click on the link: CINEMA AND ENTERTAINTMENT

RISHI AUROBINDO

For the last 40 years of his life in Pondicherry Shri Aurobindo worked tirelessly for the realization of his vision of a divine life upon earth. He revealed his new message for humanity and its glorious future primarily through his writings which reflect unerringly his genius as a scholar, writer, poet, literary critic, philosopher, social thinker, revolutionary, patriot, visionary and yogi.
His masterful command over the English language, his infallible power of expression, his sharp intellect, his poetic genius, and above all his yogic insight and his love for humanity make it a veritable experience reading his works.

To know more about him click on link:

COMPLETE WORKS OF RISHI AUROBINDO

In this Works of Rishi Aurobindo you will get the
gems of life that touches every corner of your heart
it consist of following Subject and their Content:

01EarlyCulturalWritings 02CollectedPoems 03-04CollectedPlaysAndStories 05Translations 06-07BandeMataram 08Karmayogin 10-11RecordOfYoga 12EssaysDivineAndHuman 13EssaysInPhilosophyAndYoga 15TheSecretOfTheVeda 17IshaUpanishad 18KenaAndOtherUpanishads 19EssaysOnTheGita 20TheRenaissanceInIndia 21-22TheLifeDivine 23-24TheSynthesisOfYoga 25TheHumanCycle 26TheFuturePoetry
27LettersOnPoetryAndArt 28LettersOnYoga-I 32TheMotherWithLettersOnTheMother 33-34Savitri 35LettersOnHimselfAndTheAshram 36AutobiographicalNotes

LIFE OF RISHI AUROBINDO

We are often confronted with a problem or a situation where we do not know what to do. It is as if we are standing in front of a closed door whose key is lost and we are not able to move forward.
In these moments, if we take a book of spiritual force and power, concentrate quietly and with a kind of seeking, an inner quest, ask for guidance, help or an answer and open the book at random, there we find exactly the answer we were seeking, as if it had been written just for us!

AUROBINDO TEACHING

"The most vital issue of the age is whether the future progress of humanity is to be governed by the modern economic and materialistic mind of the West or by a nobler pragmatism guided, uplifted and enlightened by spiritual culture and knowledge...." Sri Aurobindo

LIFE AND TEACHING OF RISHI AUROBINDO

Sri Aurobindo's yoga points the way toward the kind of transformative practice we need to realize our greatest potentials. No philosopher or contemplative of modern times has done more to reveal our possibilities for extraordinary life." Michael Murphy, founder, Esalen Institute and author, The Future of the Body

"Sri Aurobindo (is) the foremost of Indian thinkers, who has realized the most complete synthesis between the genius of the West and of the East." Romain Rolland, Nobel Laureate

"Aurobindo treatises are among the most important works of our time in philosophy, ethics and humanities. Sri Aurobindo himself (is) one of the greatest living sages of our time, and a most eminent moral leader." Pitirim Sorokin, Harvard university

SWAMI VIVIKANANDA

"My homage and respect to the very revered memory of Swami Vivekananda . . . . after having gone through [his works], the love that I had for my country became a thousandfold."

-- Mahatma Gandhi

To know more about him in English click on the link :

COMPLETE WORKS OF VIVEKANANDA

"I fervently hope that the bell that tolled this morning in honour of this convention may be the death-knell of all fanaticism, of all persecutions with the sword or with the pen, and of all uncharitable feelings between persons wending their way to the same goal."

Swami Vivekananda
Representative of Hindus
Parliament of Religions
Columbian Exposition, Chicago World Fair
11 September 1893.

To know more about him in Bengali click on the link :

WORKS OF VIVEKANANDA

COMPLETE WORKS OF SWAMI VIVEKANANDA IN AUDIO

For the first time in history, as has been said elsewhere, Hinduism itself forms here the subject of generalisation of a Hindu mind of the highest order. For ages to come the Hindu man who would verify, the Hindu mother who would teach her children, what was the faith of their ancestors will turn to the pages of these books for assurance and light. Long after the English language has disappeared from India, the gift that has here been made, through that language, to the world, will remain and bear its fruit in East and West alike. What Hinduism had needed, was the organising and consolidating of its own idea. What the world had needed was a faith that had no fear of truth. Both these are found here. Nor could any greater proof have been given of the eternal vigour of the Sanâtana Dharma, of the fact that India is as great in the present as ever in the past, than this rise of the individual who, at the critical moment, gathers up and voices the communal consciousness.

SWAMI VIVEKANADA

Vivekananda’s concept of ‘potential divinity of the soul’ gives a new, ennobling concept of man. The present age is the age of humanism which holds that man should be the chief concern and centre of all activities and thinking. Through science and technology man has attained great prosperity and power, and modern methods of communication and travel have converted human society into a ‘global village’. But the degradation of man has also been going on apace, as witnessed by the enormous increase in broken homes, immorality, violence, crime, etc. in modern society. Vivekananda’s concept of potential divinity of the soul prevents this degradation, divinizes human relationships, and makes life meaningful and worth living. Swamiji has laid the foundation for ‘spiritual humanism’, which is manifesting itself through several neo-humanistic movements and the current interest in meditation, Zen etc all over the world.

SWAMI VIVEKANANDA TEACHING

Some imaginations help to break the bondage of the rest. The whole universe is imagination, but one set of imaginations will cure another set. Those that tell us that there is sin and sorrow and death in the world are terrible. But the other set — thou art holy, there is God, there is no pain — these are good, and help to break the bondage of the others. The highest imagination that can break all the links of the chain is that of the Personal God.

BHAKTIJOG

It is a immensely teaching book for every one who wants to
take Bhakti Path as there way of life. In this book you will
get:(1) Bhaktir Lokkhon- in Page-1. (2) Ishwarer Lokkhon in
Page-6. (3) Prtakhyao Anuvhuti I Dharma in Page-12.(4) Gurur
Pryojoniota in Page-15. (5) Guru O Sishyer Lokkhon in Page-17. (6)Abotar in Page-22. (7) Montra in page-25. (8) Prateek-O-Pratima-Upashona in Page-28. (9) Ishtanistha Page-31.
(10)Bhaktir Sadhan in Page-33.
Pora Bhakti: (1) Bhaktir Proshtuti -Tyag in Page-38. (2)Bhakter Boiragya Premprosuto in Page-41. (3)Vhokti yoger shavhabikata O Uhar Rohosso in Page -45. (4)Bhoktir Prokash ved Page-47 (5)Bishwa Prem O Attosamarpan in Page-49
(6)Pora Vidya O Pora Bhakti Ak in Page-53.(7)Prem Trikonattok in Page-55.(8)Premer Vogoban er Proman Tini in Page-59. (9)Manobiao Bhashai Vogobot Prem er Bornana in
Page-61

SRI RAMAKRISHNA

"The time was ripe for one to be born, who in one body would have the brilliant intellect of Sankara and the wonderfully expansive, infinite heart of Chaitanya; one who would see in every sect the same spirit working, the same God; one who would see God in every being, one whose heart would weep for the poor, for the weak, for the outcast, for the downtrodden, for every one in this world, inside India or outside India; and at the same time whose grand brilliant intellect would conceive of such noble thoughts as would harmonize all conflicting sects, not only in India but outside of India, and bring a marvelous harmony, the universal religion of head and heart into existence. Such a man was born, and I had the good fortune to sit at his feet for years. Let me now only mention the great Sri Ramakrishna, the fulfillment of the Indian sages, the sage for the time... For the first time I found a man who dared to say that he saw God, that religion was a reality to be felt, to be sensed in an infinitely more intense way than we can sense the world. I began to go to that man, day after day, and I actually saw that religion could be given. One touch, one glance, can change a whole life. I learnt from my Master that the religions of the world are not contradictory or antagonistic. They are but various phases of one eternal religion... The first part of my Master's life was spent in acquiring spirituality, and the remaining years in distributing it... His life is a searchlight of infinite power thrown upon the whole mass of Indian religious thought. He was the living commentary to the Vedas and to their aim. He had lived in one life the whole cycle of the national religious existence in India."

- Swami Vivekananda

To know more about Gospel of Sri Ramkrishna in Bengali click on link:

GOSPAL OF SRI RAMKRISHNA

Sri Ramakrishna, the God-man of modern India, was born at Kāmārpukur. This village in the Hooghly District preserved during the last century the idyllic simplicity of the rural areas of Bengāl. Situated far from the railway, it was untouched by the glamour of the city. It contained rice-fields, tall palms, royal banyans, a few lakes, and two cremation grounds. South of the village a stream took its leisurely course. A mango orchard dedicated by a neighbouring zamindār to the public use was frequented by the boys for their noonday sports. A highway passed through the village to the great temple of Jagannāth at Puri, and the villagers, most of whom were farmers and craftsmen, entertained many passing holy men and pilgrims. The dull round of the rural life was broken by lively festivals, the observance of sacred days, religious singing, and other innocent pleasures.

About his parents Sri Ramakrishna once said: "My mother was the personification of rectitude and gentleness. She did not know much about the ways of the world; innocent of the art of concealment, she would say what was in her mind. People loved her for open-heartedness. My father, an orthodox brāhmin, never accepted gifts from the Śudrās. He spent much of his time in worship and meditation, and in repeating God's name and chanting His glories. Whenever in his daily prayers he invoked the Goddess Gāyatri, his chest flushed and tears rolled down his cheeks. He spent his leisure hours making garlands for the Family Deity, Raghuvir."

by Swāmi Nikhilānanda

SRI SRI RAMKRISHNA

IN THE HISTORY of the arts, genius is a thing of very rare occurrence. Rarer still, however, are the competent reporters and recorders of that genius. The world has had many hundreds of admirable poets and philosophers; but of these hundreds only a very few have had the fortune to attract a Boswell or an Eckermann.

When we leave the field of art for that of spiritual religion, the scarcity of competent reporters becomes even more strongly marked. Of the day-to-day life of the great theocentric saints and contemplatives we know, in the great majority of cases, nothing whatever. Many, it is true, have recorded their doctrines in writing, and a few, such as St. Augustine, Suso and St. Teresa, have left us autobiographies of the greatest value. But, all doctrinal writing is in some measure formal and impersonal, while the autobiographer tends to omit what he regards as trifling matters and suffers from the further disadvantage of being unable to say how he strikes other people and in what way he affects their lives. Moreover, most saints have left neither writings nor self-portraits, and for knowledge of their lives, their characters and their teachings, we are forced to rely upon the records made by their disciples who, in most cases, have proved themselves singularly incompetent as reporters and biographers. Hence the special interest attaching to this enormously detailed account of the daily life and conversations of Sri Ramakrishna.

"M", as the author modestly styles himself, was peculiarly qualified for his task. To a reverent love for his master, to a deep and experiential knowledge of that master's teaching, he added a prodigious memory for the small happenings of each day and a happy gift for recording them in an interesting and realistic way. Making good use of his natural gifts and of the circumstances in which he found himself, "M" produced a book unique, so far as my knowledge goes, in the literature of hagiography. No other saint has had so able and indefatigable a Boswell. Never have the small events of a contemplative's daily life been described with such a wealth of intimate detail. Never have the casual and unstudied utterances of a great religious teacher been set down with so minute a fidelity. To Western readers, it is true, this fidelity and this wealth of detail are sometimes a trifle disconcerting; for the social, religious and intellectual frames of reference within which Sri Ramakrishna did his thinking and expressed his feelings were entirely Indian. But after the first few surprises and bewilderments, we begin to find something peculiarly stimulating and instructive about the very strangeness and, to our eyes, the eccentricity of the man revealed to us in "M's" narrative. What a scholastic philosopher would call the "accidents" of Ramakrishna's life were intensely Hindu and therefore, so far as we in the West are concerned, unfamiliar and hard to understand; its "essence", however, was intensely mystical and therefore universal. To read through these conversations in which mystical doctrine alternates with an unfamiliar kind of humour, and where discussions of the oddest aspects of Hindu mythology give place to the most profound and subtle utterances about the nature of Ultimate Reality, is in itself a liberal, education in humility, tolerance and suspense of judgment. We must be grateful to the translator for his excellent version of a book so curious and delightful as a biographical document, so precious, at the same time, for what it teaches us of the life of the spirit.

by Aldous Huxley

SRI SRI RAMKRISHNA KOTHAMMRITAM

"You will have to do a little of Divine MotherÕs work; you will have to speak out the Bhagavata to people. You are my own, of the same substance as father and son. You are one of those who trade in the jewellery of the Spirit. Mother, you have endowed him only with one kala (one-sixteenth part of Divine Energy)! O, I see this will suffice to carry out Your mission."

– Sri Ramakrishna to the Author

SRI RAMKRISHNA ARATI(AT BELUR MATH) AND OTHER VIDEO

Watch and listen Sri Ramkrishna Arati at
Belur Math, Purify yourself with chanting.

ADYAPEATH

To find the beginning of this story, it is necessary to go back in time, beyond the remarkable early-twentieth-century life of a Bengali man named Annada Charan Bhattacharya; beyond the even more remarkable nineteenth-century life of the great Bengali saint Sri Ramakrishna; beyond even the carving in antiquity of an exquisite black marble image of the Divine Mother--for this story begins at Creation itself and is continually beginning and being replayed in the cycle of birth, death, and renewal of every soul of every devotee of God.

Dreams and Visions

In 1915, a young Brahmin named Annada Charan Bhattacharya was setting up a successful practice in Ayurvedic medicine in Calcutta. A capable scientist, he had discovered seven patent medicines and went on to become a renowned doctor all over Bengal.Annada Thakur, as he came to be known, was a deeply religious man, filled with devotion to the Divine Mother Kali and Her great nineteenth-century Bengali saint, Sri Ramakrishna.

SRI MA TRUST

Sri Ma Trust is a charitable and non-profit making organization engaged in propagating Indian culture with special emphasis on the life and teachings of Sri Ramakrishna Paramahansa and Sri M.
This Trust was founded by Swami Nityatmananda on December 12, 1967 in the memory of his revered first guru Sri M. – a person who inspired in him a feeling for living the life of a tapasvi for the realization of God for obtaining eternal peace and happiness in the midst of normal occupation.
In these restless times of stress and strain, what can give more light to the troubled householder than the message of Sri Ramakrishna as embodied in the life of his great householder devotee, Sri M.? The Trust has published 'Sri Ma Darshan' in Bengali and Hindi in sixteen volumes, and its first ten volumes in translation into English, under the title 'M., the Apostle & the Evangelist'. Sri Ma Darshan is a faithful record of the conversations of Sri M. in the diaries of his intimate and devoted disciple, Swami Nityatmananda.
The Trust has also published Volumes I to III of the original Bengali edition, 'Sri Sri Ramakrishna Kathamrita,' in English, and Volumes I to V in Hindi.
Among the other prestigious publications of the Trust, mention may be made of 'A Short Life of M.,' 'The Life of M.' and a compendium of views and tributes of renowned sadhus and other devotees of Sri Ramakrishna in a volume entitled 'Sri Sri Ramakrishna Kathamrita Centenary Memorial'.
Sri Ma Trust is a registered body with its office at 579, Sector 18-B, Chandigarh, India. Its building in Sector 19-D, Chandigarh named Sri Sri Ramakrishna Kathamrita Peeth, is comprised of a meditation room and a reading room cum library. The Trust is run mainly on donations from the devotees of Sri Ramakrishna, and friends and admirers of the Trust.